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Seamus
12-04-01, 08:09 PM
In the hopes of creating conversation let me pose a question. Assuming you are a performer with street performing experience; when you perform street shows do you do so in character, with a persona, or as yourself. That is, do you perform as a full-on character, a sort of hyped up you, or simply as yourself.

I have noticed that all over the world wherever I have seen street shows the aggressive, witty, hard-shell-of-an-exterior, male type street performer is by far the most prominent, and popular. Assuming my observations are not completely wrong, is this prominence of the hard-ass (for lack of a better term) street performer due to the demands of putting onself on the line in front of strangers on the street, or because street performing attracts these types of people. That is, do hard-ass performers prefer to do street or does the street prefer hard-ass performers?

Obviously there are some demands that street performance poses that are more easily met with a hard-assed persona. For example the job of getting the attention of a crowd of strangers, and holding that attention is easier if one is a loud, know-it-all, attention seeking, confident, performer as opposed to a timid, quiet, performer. That is not to say that one can't get attention without being loud, and obnoxious, but that being loud and obnoxious provides a definite advantage. Although this generally holds true in most street performance atmospheres, very different styles of performance can definitely flourish on the street. Mime, statue, clown, etc...

If you are a performer who sees himself (or herself) as a hard-assed performer, I am curious to know whether or not that is how you started, and whether or not you consider yourself that type of person in your private life. Are you generally a hard ass or does that hard-assedness manifests itself during your performances as a way to protect yourself from the masses, and attract attention?

If you are a performer who uses a more vulnerable character, or style of presentation is that how you originally began street, or have you evolved into that style of presentation over time?

If you are simply yourself during your performance, is that how you started or have you evolved to that state? Have you changed or has your presentation changed or have they met somewhere near the middle?

When you originally started street work, how much was your style influenced by other performers you had seen, and how much stems from your own personality.

I for one perform a comic character variety show. I use a stupid, clownish, character. I have evolved into this style of presentation during my (2 year short) street career. I am striving to make this character, and my presentation less hard-assed, and more vulnerable. I feel that this vulnerability may help me bond with my audiences more readily than my previous more hard-assed approach to performance. I am not a hard-assed person in my day to day life. I think I originally adopted that style of presentation to make street performance easier, and to make myself less vulnerable. Now that I feel more confident with my abilities I want to experiment with a more vulnerable character.

Anyway I am just ranting on trying to create an interesting thread, and I've probably ranted enough. Please share your own thoughts on street persona/character and presentation style if you feel like it.

GlassHarper
12-20-01, 05:03 PM
I'm a musician. When I started performing on the street in New Orleans eight (?) years ago I was a heads-down performer and assumed people would reward me for my excellence as a musician.

Boy was I wrong!

Watching other performers it finally got through to me that people don't give a d--- about listening to the music -- they want to be entertained. I began keeping extensive notes about what worked (entertained people) and what didn't.

My persona developed as a down-at-the heels former professor. I use big words and assume everyone knows what I'm talking about. I talk almost continuously through my performance. I'll do anything to get a laugh.

Yeah, that's pretty much who I am in real life. I just make it a little bigger. Maybe a good deal bigger. I have friends who, when I start to tell a story roll their eyes -- look out he's performing again!

I love this profession!

------------------
Peter (the New Orleans GlassHarper) Bennett
glassharper@hotmail.com

le pire
12-22-01, 04:51 PM
I started out in theatre, I have degrees from the American Academy of Dramatic Arts, RBBB Clown College and the Ecole Internationale du Théâtre Jacques Lecoq. All of this training was USELESS when I hit the streets. Nobody gave a damn if I used breathing techniques and would make jokes using character subtlety and the slightest inclinations of my torso etc etc.
Did it matter that by doing "the fly lazzo" I was paying tribute to 400 years of Commedia Dell'Arte? Nope.
Costume didn't even matter, nope. Text does matter, but only a little bit. As long as you are not too offensive. (I don't recommend making sodomy jokes about the Boy Scouts like my partner and I did...)

Even the hard tricks were fairly useless i.e. the diabolo trick which is sure to get a big reaction: the high toss.

The exception to everything I just wrote is buskers festivals and events like Carnevale in Venise.. Venizia (how do you spell it in english? I forget!!! how embarassing) These events are more like Ren Faires where people show up looking to be entertained, i.e. they are ready to play there role as an audience.

Theatre, when it works, is an agreement between the audience and the actor; they both will do their jobs and create a collective experience.

Street performance... I'm still working on those performance theories. Anyone? Anyone?

Buskers here in Paris are big on the politics of street performing, i.e. "it's the most honest profession" etc etc but I don't go in for that crap. Especially when these "honest workers" are the ones who start all the turf wars by doing 3 hour sets just to keep other performer out.

I would be interested in hearing "street performance theories"


étienne

Rich Potter
12-26-01, 01:50 PM
I'll bite, Etienne:

Street performing crowds, in their raw form, take many guises:

1) shoppers agreeing to a momentary distraction, sometimes not enough to watch an entire show
2) people taking a walk in the park, or in the city, with some free time
3) in some cities, where we can be expected (New Orleans, SanFrancisco, Key West, Amsterdam), people come out and EXPECT to see us as part of the experience.
4) Junkies and drunks who are ignored typically gravitate toward a crowd where they can be either entertained or gain attention which they crave, or both
5) Idle teenagers

In each case, the crowd is going to probably be an amalgam of all four. For the people out there to see us, it's like theatre. For the shoppers, we're trained monkeys. For the leisure people, we're a surprise gift. For the insane, we're a diversion from their own personal hells.

The street crowd is so diverse, I don't think you can generalize except to say they are diverse. My Sunday afternoon shows in Central Park were totally different from my Wednesday night shows outside a subway station in Tokyo.

But even the Sunday afternoon shows in Central Park were different from the Sunday afternoon shows in Baltimore. And further, a Sunday afternoon in May will be different from a Sunday afternoon in February.

Have I answered any questions? Probably not. But that's OK -- It's not in my contract.

--Rich

theincrediblelarry
01-30-02, 01:47 PM
I have to agree with you Rich, there is always a diverse population on the street. and the crowd can be unpredictable. I myself, am a moderately quiet human, it depends upon my mood.But on the street, you have to be aggressive.Not necessarily loud, but there is this hard edge in the personality, that gives off an aire of confidence.Wether confident at success or failure, I'm not sure it matters. You must give off a presence, that needs to be seen. you have to be more or less than average in some way. Or perhapse a rediculus costume would do the trick. I like an angry drunken clown,myself. I can only go on my own experiences.

Neil Brown
01-31-02, 04:00 AM
I'm currently working on a street act, and want to get away from the "hard" street performer image. Although I enjoy juggling knives, I think that such a presentation would be to run-of-the-mill. I am trying to establish a character who juggles whilst using poor jokes- it's worked for me once, so let's hope I can revive it! That having been said, the one time I have seen street performers (Covent Garden), I enjoyed everything, no matter what persona- I think a great deal of variety not only helps, but is what we should be striving to achieve. Surely being different is a advantage?
Neil

theincrediblelarry
02-01-02, 08:03 AM
Go with what works for you, do what you love

willie the clown
03-22-02, 11:27 AM
personally,i do alot of different stuff,depending on the pitch and the state of affairs of the place i'm in.for those work weary commuters in the stations, celtic harp music is working very well! for those oh so busy street pitches, bigger louder faster works better,therefore it's punch and judy time.on the politcally correct streets of berkeley,it's kidskidskids! i've run into all kinds of problems with my punch and judy show,so i have a backup show for those emotionally sensitive crowds.it's so violent!ha ha hee!
as with most things it'seems to be location,location,location.if you can, adapt your show to fit the pitch and the audience,.sell to the rich,look for the jewlery,and shoes, are there alot of kids,etc.check it out and watch for a while,watch other acts and see what they draw, and how they turn the tip.
being a hard ass does'nt work unless that's your style,not everyone is the sainted mr.nelson.
as a clown (oh god! i am aint i) and a harper, i approach it like this.
i am a vulgarian immigrint new to this country, full of hope, very naive,and not too hip to the trip her ein my new country. my puppets and i,we love this country,jojo and willie new to america! the tourist love it when the can help me find something,or just seem smarter than me,it's non threatening and puts me on their level.rather than offending i try befriending,works some, depending on the pitch.
what it comes down to is who are you pitching too? if you want to stop a passer by in the heart of the city, where panhandling is almost a crime, the hard sell is not always the best idea but may be the only thing that will work.gimme a dollar and i'll leave you alone kinda thing,works for some but is bit over done sometimes.
on the wharf one day i saw a homeless fellow get into a trash can, and on a piece of rubbish wrote "white trash,please help",that's hard to compete with! thats dedication to your trade.
i am alaways trying new pitches, in out of the way places and areas, where the audience is'nt assualted by panhandlers and buskers every ten feet.
we can't all be crazed street characters, there's enough real crazies out there anyway. besides noisy mimes are just to much.
if i see you on the streets of san francisco,can anyone show me the nash bridges, please!

Peter
03-23-02, 08:26 AM
Depending on when and where I have 2 different characters that busk. No I am not scitzoid(Spelling??). Paddy the Clown is a friendly, playful hobo and his personality defines the way he does magic and balloon sculpture, with child-like wonder and sense of fun. Peter on the other hand is a middle aged (ok an old) man that does balloons and magic in a very different way.
Peter is successful as a street performer and Paddy work very well in the resturant entertaining scene. Neither one is the "hard ass" type of performer because that does not my personality or style, but Peter is a bit more "business-like" and Paddy is far more flamboyant.

Peter "Paddy the Clown" Lansing

Doctor Eric
04-08-02, 12:24 AM
[quote]Originally posted by Neil Brown:
<strong> I am trying to establish a character who juggles whilst using poor jokes- it's worked for me once, so let's hope I can revive it! ... Surely being different is a advantage?
Neil</strong><hr></blockquote>

This is different? I had no idea... eek.gif

p.s. no malice intended neil.... I say rock on with your bad humor, BE the anti-comedian my man... I'm all about it, as long as you KNOW your humor is bad wink.gif