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Daniel Forlano
09-04-01, 11:27 AM
[A few posts under the "Show me the money" subject refer to Easton so I am continuing the topic here.]

How did it go for the lot of you?

I was in Easton this August for four days from Thursday through Sunday. There was a crafts fair scheduled Friday - Sunday. I was shown the two main pitches one by the fountain in the mall the other by the fountain outside in the park. The fountain in the middle of the park cannot not be turned off for the sake of performance so the largest pitch is on the sidewalk useing half park and half street (which they close off on weekends) for the audience. They agreed to move the giant flower pots dividing the park from the sidewalk.

Thursday the crowds were really small so I played to the few who happened by. For my first show this meant three or four families with their new born kids who came to play in and around the fountain. The end of the evening brought larger crowds (about four times larger) of couples out for dinner. I looked forward to the larger crowds, the craft fair, and the larger pitch on Friday.

When I arrived on Friday the streets were closed and sidewalks were lined with tents. That was great but the pitch was lined with tents as well including a food vendor and a Andean flutist smack on the potential pitches in the park. The flower pots were not moved but there was no longer a pitch anyway.

I got permission from Shadowbox Cabaret (Chris and Katy) to do a show in the street between The Cheesecake Factory and Barnes & Noble where the crowd would have been had the tents not arrived. It was a small pitch between the craft tents but it was the best I saw. After the show the organizers of the craft fair asked me not to perform there because they were paying to have the craft venders and I was interfering. They told me I could perform at the ends of the closed off streets. I kept walking into the mall knowing I would have to perform inside at last resort. But I was putting it off because I would have to compete with the hushing sound of the fountain, the echoing unabsorbant walls, and the ever so slightly dazed mall people. In short the mall was mall-like. I saw it a s back-up. So I did a show at the end of a closed off street. It was okay but I was determined to find a better pitch. I checked out other intersections, sidewalks, and looked in the mall again. I did a second show on the sidewalk at the enterance to the mall infrom of the Gap. But indeed, as I was told would happen, I was shut down because my crowds were too big for the space. That was the best show of my weekend but the managemant (?) didn't want anyone standing in an un-closed street. So I went into the mall and did a show. Focus was poor and my timing was poor because I couldn't hear my audience or myself. I did my last show for a few people in a corner of the park right next to the musician. Saturday I worked at the end of the closed off street, it was the best I had. But I was told that technically it was not a designated pitch and that I wasn't allowed to perform there. I was supposed draw people into the mall. But I wasn't told that at the beginning of the event. On Sunday it rained so I had to perform my first three shows in the mall anyway.

I wish at least once my audience could have witnessed the exhileration of a content performer. I spent the weekend hunting for a pitch where I could settle in and have focus. The Crafts Festival had been set up without consideration of the First Easton International Buskers Series, as it is called. I told my supervisors my concerns but they either didn't listen, didn't care to make amends or were helpless in answering to the management whom, by the way, I was never able to meet. I performed 16 shows that weekend. When it was good for me it wasn't good for them. So I didn't feel good about performing.

I commend Katy for understainding even if there wan't much she could do.

Anyway, to top it off I was misadvertised prior to the event and both my name and show name were misspelled in Creesto's recent performers.net post. Thanks for dropping my name but your raving review of the venue does not fit my experience at Easton Town Center.

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[This message has been edited by Daniel Forlano (edited 09-05-2001).]

[This message has been edited by Daniel Forlano (edited 09-05-2001).]

[This message has been edited by Daniel Forlano (edited 09-05-2001).]

Creesto
09-06-01, 12:14 PM
Daniel

Sorry about the spellings; the last name was a typo, the act name was a complete misunderstanding. I think I have an ancient email somewhere from you signed Stitchy, obivously tongue in cheek. My bad for not paying attention, but I got it now.

As to Easton, <<big sigh>> it has been an uneven ride, I'll admit. As a stage performer, I have the greatest respect for folks who succeed on the street. We have busted our nuts (ovaries?), Katy and I, to educate Easton management, security, shop owners etc. to GET IT. Your experience sounds like hell and I wish it had been at least profitable for you if not enjoyable. Thanks for the honest feedback.

Fat hats to you,

Creetso

Daniel Forlano
09-06-01, 04:12 PM
Thank you Creesto, that means a lot. It was profitable and I thank you. My concern is more in regard to quality. If I felt like I had performed at my peak level I would be very happy. Instead I was in contention with the space. I was only able to perform on the main pitch on Thursday so I don't know how solid it can be on the weekend with the street closed. The people were great. My show outside the Gap was comparable to what I am used to. The hats in the mall were weak as was the attention of the people. I do understand that a new pitch and, in this case, the organization of a new pitch needs to be broken in. But I felt unimportant and kicked around some. The more I am paid the more responsible I feel for having an ideal environment and the more responsible the management should be to provide it. Especially if they want to pay the performers less once the pitch is established. Of course if they continue to offer the same price I am sure performers will continue to perform there. If not, an ideal space means a large open square with a hard even surface and a low noise level. (Hence the reason performers asked that the fountain be turned off – less "noise," more space.) The street is our stage.



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Byron Bertram
09-22-01, 02:08 AM
I did Easton in August. It's basically a mall in the absolute middle of no where. I worked that main pitch and did a few decent shows. Nothing out of this world, but better than I thought they would be considering it was a mall in Suburbia.

First of all the heat was almost unbearible(I threw up from heat stroke after 3 shows on Saturday)and it's a suburban mall in middle America. I'm sure 99% of the people there never even heard of street performing, let alone seen it. I wish that I had another performer to hang out with that weekend, but I was all alone. It was probably one of the lonliest few days of my life. The money was good so I couldn't complain. Strange event though. I commend the shadow box caberet people for trying to make a go of this. Did anyone see there show? It was great.

Adam Gertsacov
09-24-01, 12:00 AM
I'd come back to Easton (I was there in June) I had a good time. But I have a couple of suggestions...


1) You have to have a sound system. I performed by the Fountain (and I also did a couple of shows in the mall area by the movie ticket sales (where there used to be some kind of Pizza joint, but it went out of business. I did not have a sound system, and I was able to attract a fairly good crowd doing my small show (flea circus) I don't normally travel with a sound system, cuz I usually do smaller theatre gigs. People could hear me, but I blew out my voice. In retrospect, I'd definitely bring sound for that gig.

2) Publicity. When I was there, there wasn't a sign out that there were performances. I put up a little easel, but that was only up when I was getting ready to perform. It also didn't get into the paper, I don't think. I sent press releases and posters ahead of time, but I don't think they got posted. Perhaps the system has gotten more on top of it?

3) It was very hot, and I was only there in June! I'd hate to think what August was like!

4) There was no one else there, and I ended up doing something like 16 shows. It would have been much better to have been trading off with someone else. (and the audience would have wanted to stick around for more!

I think the ShadowBox people are great, and I dig and respect what Shadowbox is trying to do.

I'd go back!

Todd
09-24-01, 06:24 AM
I did not do Easton this past year, but I did do it the first and second years it was open. As far a pitch space goes, we worked the area in front of the enterance to the main building/theater. That space in front of the 'Bath and body works', using the big window of bb&bw as a back wall of sorts. It seemed the best space of all. We took one look at the other areas and saw that given the limits of the narrow sidewalks and the foutain, there would be no way to get a big ring of people, so we went for setting up with a backdrop. our contact person there was also very cool about letting us find the spot where we could do our best work. The foot traffic was really good there too. Adam, it would be a great spot for your shows.
It looks like, from the feedback, that that is an offlimits spot. Anyone know why?
We also charged them alot of money and then didnt pass-hat. For many of the people there seeing a street-performer was a new thing, so a knwe hats would be low, so we figured "why bother". No need to get all irritated by smaller than ususal hats, and Easton was footing the bill.
If anyone is thinking of booking there, dont be afraid to ask for alot of money. Unless things have changed and they are doing that thing that many companies do now were you try to get entertainment for as little as possible
(because how hard is it, any idiot can learn some tricks and go be an ass in the street for tips right?)
, then ask for alot of money.
Also, when we worked it, the Shadowbox wasnt running things. It was run by a person in/from the Easton Office. It was still an 'in house' thing, not jobbed out to another company, so things may be diffrent now as far as what is and is not a pitch and pay scale.

martin ewen
08-05-02, 12:05 AM
I just finished another weekend here.
They pay enough for you to overcome whatever problems you might face (round $1600 per weekend)
You entertain folk or you dont
very little to hide behind with a fee like that and still the ability to busk.
Adapt or die and its a wonderful entry for foriegn folk who don't take low skill whoring for granted.
The audience's enjoy the difference to.